With the 6th installment of the original trilogy Shpongle shows they still got the mojo. Less generic samples and sounds, a more solid bass foundation and overal crazy fun production and some daring takes in genre mixes while staying true to the Shpongolese spirit. Darn fun!
Seeing Skuggsjá (Wardruna & Enslaved) perform live was a real privilege, since it wasn't really supposed to be more then a one time thing. The record that wasn't supposed to be made is here now and it's a proper reflection of the project. Deep folk and roaring folk-black metal.
The Finnish folk project with potential, were forgotten for 8 years. Till now, and I'm sad to say, it's lost it's shine. The sole instrumentation sounds forced and missing the atmosphere of the earlier records. Sad, because I really, really wanted this to be amazing..
This is just a very nice exercise in dual-hang-playing, live recorded and dressed with ambient noises to make a relaxing and easy flowing chill record. The hang is a magical instrument, and this album is one where they come out like just that.
Rudd teaming up with a African reggae act? Couldn't be more psyched! But alas, the result is dry, lacks inspiration and tends to disappear as a nondescript tree in the monotonous forest of reggae. It lacks an image.
A unique mixture of world music, Japanese traditionals, progrock, ambient and jazz, from the 70s! It is truly a remarkable experience of music from the East, sadly Kitajima later fell into the cheesy eastern-new-age cliches. But at least this work is still out there, and it still resounds.