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IDM

https://embed.spotify.com/?uri= spotify:track:5YKvnB0QFRarJ4ZMnD7fHr Silent Shout ()

By far the best record by The Knife (not counting Tomorrow In A Year, because of reasons). Thick disco beats, dirty sounds and a nasty atmosphere. I laik.

https://embed.spotify.com/?uri= spotify:track:5PV6r93MQICDlBiCEbURLZ Space Is Only Noise ()

Nicolas Jaar is a modern day Mozart in electronic music. He uses sounds to paint pictures and to tell a story. Not with melodies or lyrics per-se, but with a mindset, a whiff of a surreal situation, a memory.

https://embed.spotify.com/?uri= spotify:track:2o6F6YMxMpWDzdefqy9ACb Fever Ray ()

This is definitively in my top-5 records of all time. The gloomy electronic beats serve as a background for a swamp of surreal ritualistic music. The atmosphere oozing out of every element of this record is so sublimely delivered. After 8 years, I still want to drown in this music.

https://embed.spotify.com/?uri= spotify:track:6ebuGoR88P4o6QEqke6DGx LUX ()

Part post-rock, part glitchy electronic with catchy hooks and beats. A dangerous mix, but EZ3kiel does it just right. The flow of the album, balancing the two sides of it, is just great. It makes the whole an interesting listen.

Prisms ()