Ghoulish-blackend-dungeon-funeral-doom that sounds like it's oozing from dark and desolate depths from inside a mirky and haunted forest. Not so much songs but more shaped soundscapes made to infer sorrow and a very creepy haunting atmosphere.
I adore artist who actively pursue development and experiments. James Holden is one such artist. With his latest work he leaves the dancefloor behind for the mystical forests of electronic infused tribal trance with some jazzy tones. Sounds interesting? It's because it is. A damn good experiment!
Summoning made me fall in love with the whole dungeonsynth/blackmetal universe and this 'non-metal' EP serves as one of my favorite cheesy dungeonsynths ever. I wish it was longer than just these two tracks
Glitched vocals are cut, repeated and looped. Set to an invigorating and fresh electronic sound with tribal beats, ambient noises, a flair of jazz and some trip-hop the result is mighty inspirational and catchy. Prepare these to get stuck in your head, even though you wont understand any of it.
A mesmerizing though unsettling ambient record that really grips the listener. The soundscapes are much like the cover art; seemingly simple yet abstract, but take a closer look and you can see there is all kinds of stuff happening beyond first glance, or apprehension.
Can't win 'em all. After a astoundingly promising EP, PSB drifts forth in more of the same with less focus. This first full-length is essentially the succesful sound of the EP, but stretched across so many themes it lacks coherence. The record isn't bad, it could've been better.
A masterfully crafted work of twisting and dark ambient. Using all kinds of apparatus and devices, Ulver crafts twisting melodies and gloomy soundscapes to an artform.
Seeing Skuggsjá (Wardruna & Enslaved) perform live was a real privilege, since it wasn't really supposed to be more then a one time thing. The record that wasn't supposed to be made is here now and it's a proper reflection of the project. Deep folk and roaring folk-black metal.
Nicolas Jaar is a modern day Mozart in electronic music. He uses sounds to paint pictures and to tell a story. Not with melodies or lyrics per-se, but with a mindset, a whiff of a surreal situation, a memory.
Bohren & Der Club Of Gore is a lovely darkjazz project and their latest release 'Dolores' takes a lighter take on the whole. The sound is less noir, gloomy and a bit friendlier in the keys-department. Nice, but not the depressive darkness I seek here.
This wasn't at all what I expected. The first track 'Made of Metal' on 'Ruins' with a black cover would suggest something heavy. Not a piano-laden, modest singer-songwriter record. That said, it still is a lovely record with a lot of depth and feeling in the sounds.
Khanate is a unique piece of work. It sounds like a band dying in the studio and recording every last bit of it. Prepare to not be swayed away by layers of noise, but rather be thrown into a bathtub of rusty razors and salt. This is meant to hurt.
A smaller Godspeed makes for a more modest record (with equally long albumtitles). A sincere and tragic record which envelops as slow as possible by adding layers of radio-samples, tragic keys and strings. A desolate, lonely work. Magnificent.
Piano-centered ambient release. It's nice, but like most of us I bought it just because it's John Haughm, because let's be honest, anyone with a midicontroller could do this
A unique mixture of world music, Japanese traditionals, progrock, ambient and jazz, from the 70s! It is truly a remarkable experience of music from the East, sadly Kitajima later fell into the cheesy eastern-new-age cliches. But at least this work is still out there, and it still resounds.