There is something truly captivating to this record. It sounds so personal, so true and honest. If you let it, it will take you away to a cold, dim and desolate place on even the hottest day. Magnificent sludge/black that comes from the heart and speaks to yours.
The last album made before the ironic death of singer David Gold. His death gives the album even more feeling, depth and personality. Depressive blackened doom.
SubRosa is known to be a exciting, diverse doom-metal act with spectacular live shows. And yes, the live show at Roadburn did impress very deeply, but this record just can't. Mostly for the sake of the vocals, they sound flat and without the reach they need and it dampens the music. Shame though.
Strechted doom metal with clean vocals. A Dutch/French split with mostly the same ingredients. It sounds just fine for doom metal, but I can't say I'm a big doom fan.
Khanate is a unique piece of work. It sounds like a band dying in the studio and recording every last bit of it. Prepare to not be swayed away by layers of noise, but rather be thrown into a bathtub of rusty razors and salt. This is meant to hurt.
French post-black of stature. The crashing waves of Cult of Luna-esque post metal dwindle into hysterical and dark black metal blastings and chaos. Lovely! The only thing with this album is the length, it's 2 hours! While it's never boring, it can be overlong if you're not really in the mood.
Batushka is bringing back the gimmicks big time, by bells, church choirs and nasty Polish black metal. Remnant of Graveworm, but with a better focus on interesting riffing and production.